Wednesday, September 7, 2011

Why Purple Prosers Don't Make Good Novelists

For those of you who don't know who the Purple Prosers are, you probably weren't a roleplayer ten years ago. I first encountered them a few years after I started roleplaying in AOL chatrooms. I joined during the heyday for chat rp, where people would actually play in the public rooms instead of just standing around making a fuss or talking about nothing. There was one room in particular everyone went to find someone new to play with, simply known as the Tavern. This was the first room the Purple Prosers hijacked.

Always writing in purple (for whatever reason, not like they would tell you) these people would flaunt their expansive vocabularies, or at least work the heck out of dictionary.com. What would take you or I ten words to get across, they had to do it in twenty-five. It wasn't good enough to say 'She made her way to the bar', they had to say 'Delicately placing one pedicured foot in front of the other, she silently sauntered between the other patrons through the slumberous, smokey tavern to reach the sticky walnut bar.' And that's putting it lightly.

They became annoying to the regulars for two reasons: Their expansive posts would instantly flood the screens and knock anyone else's posts off into oblivion before anyone could reply, and they would often refuse to play with anyone who couldn't match their post length. Character doesn't have anything to say or do in your post? Well, start talking about other useless things or else you're getting the boot. Where these people came from or what they were thinking I don't know. Where they wound up, well, I can tell you one thing: They're not writers.

Writing isn't an exercise in showing off your vocabulary. You're trying to tell a story efficiently and accurately to your reader. You can't do this if they're getting bored by your three paragraphs on how your character eats soup. What's more, Purple Prosers very often used words that would have some of the most well-read people scratching their heads. Long descriptions or not, if you're using words that the general populace don't recognize, then they're not going to want to read your book. No one likes to feel stupid. This is why normal people don't read legal documents, or medical textbooks.

This is the reason why I tend to hate those 'Word of the Day' apps. When are you ever going to use those words? And when is anyone going to know what you're talking about when you do? Now, I'm not saying we dumb down everything we say and use only the most basic words in what we write. There are a lot of rarely-used words that people easily recognize in context. But if you're making your readers pull out a dictionary in order to read your book, there's a problem.

One of the main reasons the Purple Prosers will never be writers, big words aside, is the word count. Giant books are not uncommon or unliked anymore; Harry Potter, Lord of the Rings, Game of Thrones, they're all huge books that people are devouring. The difference between J.K. Rowling and a Purple Proser, however, is that Harry Potter isn't a thousand pages because she's using twenty words when she only needs five. She genuinely has a long story to tell and she does so efficiently. It's because of that efficiency that people read it. The pace of the story moves quickly, and the things she does sit and describe are things we enjoy reading about, such as the Quidditch games.

So, people, please. You may genuinely have a large, expansive vocabulary that makes you great at Scrabble. But read a few lines of your novel to your friends; if they sit there and stare blankly at you, you've got a very Purple problem that may hold you back in your writing career.

6 comments:

  1. I remember the first time I wrote the word "garrote" as a means of killing in my first novel. My wife, aka: first line of editing, didn't know the word and proceeded to tell me that a normal person doesn't use that word and I should replace it with something else. I stood fast and told her that it wasn't that uncommon. We argued for several days about it. Over the course of the next week, we heard the word "garrote" used more than five times watching TV shows and movies. It was the only argument I won in the year 2002. I haven't won any since. Lannie

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  2. Great point, Lannie! There are a lot of sophisticated words that are used a lot more than we think, and many of them are easily understandable in context. It would also be acceptable to use an uncommon or little-known word here or there in the book so long as your reader will get its meaning. But when you fluff every sentence with snobbish vocabulary, it turns into a chore to the reader and they're likely to put it down.

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  3. I agree with the post. I use the KISS method of writing. Not necessarily to dumb it down but to allow the reader the oppertunity to enjoy the flow of the words and story.

    Most of us writers (and readers) do so for entertainment, not literary works of art. I don't have the talent for that. My dictionary has dust on the cover and personally believe it should stay that way in most situations. And should I use a five dollar word, my hope is that the content and context will explain it without the trip to the library.

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  4. Which is exactly the point of view I think makes a good writer. Thanks a lot for the comments, and I hope you'll keep reading.

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  5. I can see where this could become a problem for those who write period novels where this type of language was in more common use. I am personally too lazy to put down that many words and say very little. Its a shame, because many of these works would be enjoyable with some healthy trimming.

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  6. I'm currently writing a short-story now that takes place in France, and I'm using a healthy amount of French in it. The key is to write these things in a context that people can understand. The Purple Prosers were not that sort of person, they would use the most obscure words for no reason and with no healthy context to make it legible.
    The more troublesome part of the purple prosers, though, was their excessive description. Don't use twenty words when you could use five. It exhausts the reader.

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